I haven’t caught Julie Taymor’s adaptation of The Tempest, and by the way it swiftly disappeared from the marquees of local moviehouses (while The Social Network is going on it’s fifth month in theaters), it looks like I’ll be waiting until it leaks on the Internet or shows up in Netflix. I have now seen [...]
About
Bryce Lambert is most comfortable in a room occupied by those >30 yrs. his senior. Perhaps that's why he started a blog on theater and classical music--or maybe it's just a symptom. His qualifications for arts criticism include an improvident English degree and some pidgin HTML. He hates Live Nation ticket fees, watching concerts via jumbotrons and buying tickets months in advance (or buying tickets at all). These are his primary reasons for going highbrow.
