It’s long past the short run of OperaHub‘s production of Tom Johnson’s 1972 The Four-Note Opera, but I owe a few words to this hilarious show from a company that’s doing big things in the fringe opera scene. This production marked the close of their season, as they move to rename and re-orient themselves (and [...]
About
Bryce Lambert is most comfortable in a room occupied by those >30 yrs. his senior. Perhaps that's why he started a blog on theater and classical music--or maybe it's just a symptom. His qualifications for arts criticism include an improvident English degree and some pidgin HTML. He hates Live Nation ticket fees, watching concerts via jumbotrons and buying tickets months in advance (or buying tickets at all). These are his primary reasons for going highbrow.
